August 2023 – Broadcast News

Στον «αέρα» το ανανεωμένο ΕΡΤNews

Το ΕΡΤNews, το 24ωρο ενημερωτικό κανάλι της δημόσιας τηλεόρασης, επέστρεψε ανανεωμένο στον «αέρα» τη Δευτέρα, 28 Αυγούστου. Η ΕΡΤ υπογραμμίζει ότι πρόκειται για το μοναδικό ελληνικό τηλεοπτικό κανάλι που παρέχει συνεχή ειδησεογραφία για την Ελλάδα και τον κόσμο, 24 ώρες το 24ωρο, 7 ημέρες την εβδομάδα.

Η ενημέρωση ξεκινά καθημερινά, από τις 05:30 με το πρώτο δελτίο ειδήσεων. Προγραμματίζονται πέντε αναλυτικά δελτία ειδήσεων στις 09:00, 12:00, 18:00, 21:00 και 24:00. Επιπλέον, θα υπάρχουν σύντομα δελτία ειδήσεων κάθε ώρα.

Το κεντρικό δελτίο, στις 18:00, θα προβάλλεται και από την ΕΡΤ1, όπως και το δελτίο των 12:00. Σημειώνεται ότι μέσα στο αναλυτικό δελτίο των 15:00, υπάρχει ειδική ενότητα για την ελληνική περιφέρεια, ενώ ο αθλητισμός κερδίζει ξεχωριστή θέση με την καθημερινή εκπομπή SportNews.

Με ανανεωμένο πρόγραμμα ο Ρυθμός 94.9 κινείται σε νέους ρυθμούς

«Ανοίγουμε μικρόφωνα» είναι το σύνθημα με το οποίο ο σταθμός υποδέxθηκε τη νέα ραδιοφωνική σεζόν. Τη Δευτέρα, 28 Αυγούστου, ο Ρυθμός 94.9 παρουσίασε τις νέες του εκπομπές.

Είναι η πρώτη φορά που ο σταθμός ανοίγει την αυλαία του στον Αύγουστο. Η πρωινή εκπομπή «Μόρνι Κρου», με τους Κώστα Μαλιάτση, Βαγγέλη Γιαννόπουλο και Φελίσια Τσαλαπάτη, επιστρέφει για 3η σεζόν.

Επιπλέον, ο διαγωνισμός «5.000 ευρώ σε 1΄» κάνει come-back, δίνοντας τη δυνατότητα σε έναν ακροατή να βγει στον «αέρα» του σταθμού και, απαντώντας σε 10 ερωτήσεις, να κερδίσει έως 5.000 ευρώ μετρητά. Στη συνέχεια, οι παρουσιάστριες Μαρία Γεωργάκαινα, Μαντώ Γαστεράτου και Έλενα D’ Angelo θα αναλάβουν το μικρόφωνο με τις δικές τους εκπομπές, ενώ τις νύχτες, η μουσική υπόκρουση ανανεώνεται με το «Non Stop Mix by Nikos Halkousis».

Κάθε Σάββατο, η Γιώτα Τσιμπρικίδου αναλαμβάνει τον αέρα στις 10:00 και ακολουθεί η Έλενα D’ Angelo στις 14:00. Κάθε Κυριακή, η Μαργαρίτα Λοίζου θα συντροφεύει τους ακροατές από τις 10:00.

IBC2023 Honours Warner Bros. Motion Picture Group: A Century of Creative Excellence

The International Broadcasting Convention (IBC) announced its prestigious International Honour for Excellence (IHFE) conferral on Warner Bros. Motion Picture Group. This accolade comes as a recognition of Warner Bros.’ centennial legacy, marking 100 years since its inception by the iconic quartet of Warner brothers – Harry, Albert, Sam, and Jack L. Warner.

IBC2023: Where Excellence Meets Innovation

This year, IBC’s vision is underpinned by the relentless spirit of change and innovation within the media and entertainment industry. IBC Chief Executive Officer Michael Crimp reflected on this vision, noting the initiative to “spotlight organizations and personalities that are steering the industry towards new horizons.”

Warner Bros. Motion Picture Group stands tall as a paragon of this vision. Warner Bros. has diversified and evolved from its pioneering origins in cinema, leaving its mark across multiple verticals, be it films, television, animation, video games, or brand licensing. Its vast repository, featuring over 145,000 hours of programming and a treasure trove of globally beloved franchises, is a testament to its journey of a century.

Michael De Luca and Pam Abdy, at the helm of Warner Bros. Motion Picture Group, expressed their gratitude, underscoring Warner Bros.’ commitment to innovative storytelling.

DVB-I Pilot: Taking the Lead in Innovation

IBC Innovation Awards will see the 2023 Special Award for Innovation presented to the German DVB-I Pilot. This ambitious initiative, uniting critical stakeholders in the German media landscape, endeavors to revitalize linear TV programming.

Technical Mastery on Display

Further celebrations will include the Best Technical Paper Award. Recognized for their groundbreaking work on a 5G standalone non-public network during the coronation of King Charles III, a team from the BBC, University of Strathclyde, and Neutral Wireless will be conferred with this honor.

IBC’s Changemaker Award: Celebrating Cultural Icons

Eurovision Song Contest, a significant cultural spectacle, will be the inaugural recipient of IBC’s 2023 Changemaker Award. Martin Österdahl, from the European Broadcasting Union (EBU), will represent Eurovision at the Changemakers program, reflecting on the event’s massive global reach.

Furthermore, the 2023 Special Award for Social Impact will be presented to the Women in Streaming Media Mentorship Programme, which has championed the cause of gender parity in the media industry.

About IBC

IBC, as the world’s preeminent media and entertainment convention, aims to foster innovation and community collaboration. With its 2023 edition, IBC is poised to provide once again a platform where industry stalwarts converge to envision the future, address challenges, and create opportunities in the dynamically changing media landscape. With inclusivity at its core, IBC is not just an event; it’s a movement steering a global community toward new milestones.

Zero Density Releases High-Precision Tracking Platform for Virtual Production

Track Cameras With Six Milliseconds of Latency; Track Multiple Actors Using AI

August 28, 2023—Today, Zero Density releases its Traxis Tracking Platform, a turnkey solution that makes high-precision tracking in virtual production easier than ever. Featuring camera tracking, talent tracking, and tracking control solutions, the Traxis Platform enables creatives to tell immersive stories with photoreal virtual graphics—all while eliminating traditional barriers like long calibration times, distracting markers, and expensive latency errors.

With an accuracy of up to 0.2 mm and ultra-low latency of just six milliseconds, the Traxis Camera Tracking system offers exceptional precision. On a virtual production, this ensures continuous calibration and seamless real-time results, so every camera move on set is reflected in the virtual world without delay. Virtual graphics can then be broadcast live without breaking the audience’s immersion.

The Traxis platform includes an AI-powered system for talent tracking that can identify multiple actors within a 3D environment at once. Talent Tracking uses AI to extract the actor’s 3D location from the image in real time, then sends the data to a Reality Engine to create accurate reflections, refractions, and virtual shadows of the actor inside the 3D space. The technology is completely markerless, streamlining setup and maintenance, and means actors no longer need to be distracted by wearables or beacons that make it harder to perform.

At the heart of the Traxis platform is the Traxis Hub, a comprehensive tool that manages tracking and lens calibration data. Compatible with all industry-standard tracking protocols, the hub combines all available tracking and lens data into a centralized interface, significantly reducing setup time. The hub has a library of the most commonly used broadcast lenses, enabling quick and easy calibration.

“Traxis isn’t simply a tracking platform. It’s a meticulously crafted solution aimed at enhancing workflows, increasing tracking quality, and minimizing ownership costs,” says Amir Hochfeld, Chief Product Officer at Zero Density. “With its unmatched support, pinpoint accuracy, and streamlined design, it stands out as the go-to solution for high-demand environments.”

Join Zero Density at the IBC 2023 in Amsterdam to experience the future of virtual production workflows with Traxis. Find Zero Density at Booth7.B01

Pricing and Availability
The Traxis platform is available now. For more information, join Zero Density at IBC 2023 to experience the future of virtual production with Traxis. Find Zero Density at booth 7.B01.

About Zero Density
Zero Density gives visual storytellers the tools to bring their creative vision to life effortlessly and with lasting impact. Our integrated virtual production and real-time motion graphics platforms boost operational efficiency and deliver results you can rely on. Zero Density is your forward-thinking industry partner, with offices around the globe serving clients such as The Weather Channel, Viaplay, Sky News Arabia, Fox Sports, and Warner Media.

Grass Valley Sets the Bar High at IBC 2023 with the GV Media Universe

Grass Valley® strides into IBC 2023, the pinnacle of global broadcasting conventions, to unveil the dynamism of their GV Media Universe. Situated at stand 9-A01, the industry giant is all set to redefine live content creation and delivery for media professionals.

An Ecosystem of Infinite Possibilities

Revolutionizing the game with its “Anytime, Anywhere, Any way” exhibit theme, Grass Valley beautifully marries the age-old hardware systems broadcasters cherish with pioneering, software-led solutions. Their cloud-native AMPP (Agile Media Processing Platform) is a testament to this harmonious merger, enabling fluid production and distribution workflows.

Grass Valley CEO Louis Hernandez Jr. captures the company spirit: “Grass Valley is reshaping industry standards. Our integrated suite, which includes GV Media Universe, AMPP, and a spectrum of scalable hardware and software offerings, allows clientele to mold their workflows. Depending on their present and future needs, they can pivot between traditional, hybrid, or cloud systems.”

Seamless Transitions in the Digital Age

The Grass Valley portfolio facilitates broadcasters’ adaptive transition as broadcasting continues its digital metamorphosis. It allows them to traverse hardware, software, and cloud-based approaches based on ever-shifting market dynamics and arising opportunities.

AMPP, being entirely cloud-native, boasts high security, reliability, and versatility. It assimilates over 100 of its cloud-native applications and integrates applications from 80 third-party entities. Its standard REST API integration points enable seamless integration with in-house and third-party control and deployment solutions.

A Glimpse of Tomorrow at IBC

Grass Valley IBC exhibit promises a curated assortment tailored for live sports, entertainment, and newsroom production for diverse platforms, from traditional broadcasting to OTT services.

Ian Fletcher, CTO for Grass Valley, shares, “Our commitment is twofold. We constantly refine our products based on evolving user requirements. Simultaneously, we uphold the trusted interface and control panels integral to the Grass Valley experience, irrespective of where our equipment is deployed.”

Embracing Evolution While Honoring Tradition

Grass Valley holistic range spans from widely recognized video production switchers like the K-Frame XP video processing engine to newer cloud-based solutions powered by AMPP, offering versatility for every event.

Hernandez Jr. reinforces the company ethos, “As we pioneer in cloud and software domains, our allegiance to dedicated hardware remains unshaken. We envision a future where change is not disruptive but an effortless, enriching journey for our clients.”

Engage with the Future

From 15th to 18th September, IBC attendees can witness the full spectrum of Grass Valley’s offerings, including production switchers, multiviewers, asset management systems, and more, at the Amsterdam RAI exhibition and conference center, stand 9-A01.

About Grass Valley
Grass Valley is a frontrunner in media technology for the media and entertainment realm. With over six decades in media technology, this Montreal-based leader drives innovation in live media production, championing top global media brands. Their mission? Ensuring content producers deliver top-tier live experiences via unmatched hardware and software solutions. Dive deeper at grassvalley.com.

Radio.Cloud: Pioneering the Next Era of Radio Broadcasting

If you plan to visit IBC 2023, stop by between the 15th and 18th of September.

Stand 8.D77: The future of Radio is here and it’s called Radio.Cloud
Your smarter Playout and Networking solution.

The journey of radio broadcasting from its nascent FM days to the current digital age is phenomenal. As digital innovations sweep the industry, broadcasters have unlocked the potential to reach listeners globally with unparalleled quality. Spearheading this digital renaissance is Radio.Cloud – a cutting-edge platform designed for cloud-oriented radio content and networking.

The digital broadcasting realm has been set ablaze by Radio.Cloud. By offering a robust cloud solution, this avant-garde platform starkly contrasts conventional local playout systems. What it brings to the table is scalability and flexibility that’s been unheard of until now. Broadcasters can effortlessly retrieve their content from any corner of the world on any device, provided they’re connected to the web.

Radio.Cloud exceptional prowess lies in its innate ability to weave local components like regional content, jingles, and transitions seamlessly into the main broadcast. It empowers broadcasters to mold their content according to their regional audience’s tastes while leveraging cloud tech’s superior benefits.

Another feather in its cap is its powerful failover protection mechanism. Using a silent PC, whether in the studio or at the transmission location, ensures that the content goes ON-AIR in a backup mode every 10 seconds. Thus, even in the face of internet disruptions, broadcasting remains uninterrupted.

In the fiercely competitive domain of radio, making a mark is imperative. And with Radio.Cloud, broadcasters have a winning edge. The platform is adept at catering to both FM and DAB+ needs and harmonizes seamlessly with AoIP broadcast interfaces and touch-enabled virtual consoles. This paves the way for simplified remote content management. Enhanced by VST plug-in capabilities, broadcasters can deliver an immersive audio experience for listeners.

But what truly sets Radio.Cloud Apart is its game-changing feature: remote virtual live broadcasts. With internet access, stations can now go live from anywhere – a boon especially for critical coverages like news and sports events. The robust failover protection ensures broadcasting continuity, come what may.

The buzzword in radio engineering circles has recently been about ‘Cloud’ and the transition to cloud-centric infrastructure. A vanguard group in Germany comprising innovators and developers manages a staggering 200+ radio stations entirely on cloud frameworks. With AI capabilities, Radio.Cloud brings forth dynamic, locally-driven content backed by AI’s precision and efficiency. Automated content scheduling keeps listeners hooked around the clock.

Having etched its name in countries like the US, Canada, and parts of Europe, Radio.Cloud is now making waves in Greece and Cyprus. It’s on a mission to phase out traditional broadcasting systems in favor of its revolutionary cloud paradigm. Collaborating with Radio.Cloud promises Greek and Cypriot stations a journey into broadcasting’s future.

For inquiries and demonstrations, contact Weformedia Europe at info(at)weformedia.eu – radio.Cloud official ambassador in Greece and Cyprus.

To wrap it up, Radio.Cloud isn’t just another platform; it’s the beacon lighting up the future of radio broadcasting. With its unmatched versatility in playout and networking, FM and DAB+ broadcasts are in for a transformative experience. From live remote broadcasts to unwavering broadcast continuity, Radio.Cloud ensures that the golden era of radio content delivery is right here, right now.

Greek Radio: Stuck in Time or Moving Forward

Having spent 30 years in the Media, Music publishing services, and Broadcast technology sectors as a businessman, I feel compelled to share my insights on a topic dear to me – the evolving radio landscape in Greece.

Is Greek radio genuinely advancing? Or are we trapped in a cyclical pattern dominated by dated, ego-driven strategies? With increasing concern, I’ve noticed that past approaches are consistently resurrected and tested not just on music but across the board. When these methods show even a hint of success, they are firmly embraced, giving rise to what appears to be a relentless cycle.

Our aging infrastructure adds to the complexity; numerous studios and RF sites have remained unchanged for a decade and a half. Such legacy systems naturally make technicians hesitant to introduce novel solutions – not necessarily due to unwillingness, but rather a lack of familiarity with modern technology. As a result, their suggestions often lean on older technologies they’re comfortable with, even if they’re no longer cutting-edge.

However, the hurdles Greek radio faces aren’t solely rooted in equipment. A prominent issue is the dearth of comprehensive planning, visionary strategy, and, most importantly, competent staff. It’s troubling to see chief Program directors, given the helm’s responsibility, battling to garner the funds required to rejuvenate the radio sector. The result? A tangible stagnation. Yet, with dedicated investments in continuous education and timely updates, Greek radio holds the promise of resurgence, moving beyond its repetitive history.

The time is now for a seismic shift in Greek radio’s trajectory. We must prioritize recruiting individuals imbued with passion and possessing a forward-thinking vision. There is an urgent call for leaders willing to invigorate their teams, challenge established paradigms, and champion trailblazing initiatives. Is the idea of reimagining Greek radio both utopian and romantic? Perhaps. But remember, at its heart, radio is about passion and soul. So, let’s not shy away from redefining our perspectives. Cheers to new beginnings!

Rising Stars in Filmmaking: Zolar Vega 60C and 80C Lights vs. Arri

The world of filmmaking is always on the lookout for cutting-edge equipment that can enhance the production value of projects, and lighting equipment plays an indispensable role in this domain. As the industry evolves, new players and products emerge, sometimes challenging the dominance of well-established brands. The Zolar Vega 60C and 80C lights are perfect examples of this phenomenon, often called part of the “Arri Killer Lineup.” Let’s delve deeper into the features and specifications of these lights and discover what makes them so sought-after in the filmmaking world.

Zolar Vega 60C and 80C: A Brief Overview

The Zolar Vega 60C and 80C are celebrated for their remarkable light quality, versatility, and design features tailored to modern filmmakers’ dynamic needs. Their growing popularity in the industry has earned them the reputation of being strong contenders against industry giants like Arri.

Key Features:

Adjustable Color Temperature: One of the most commendable features of the Zolar Vega lineup is its adjustable color temperature. This allows filmmakers to tweak the ambiance according to the mood and theme of the scene without the need for additional equipment or filters.

High CRI (Color Rendering Index): A high CRI ensures that the light source accurately reproduces the colors of various objects. The 60C and 80C models boast a high CRI, ensuring that the colors captured on camera are true to their real-life appearance. This is especially crucial for filmmakers who prioritize color accuracy and fidelity.

Durable Design: In the fast-paced environment of film sets, equipment’s durability is paramount. The Zolar Vega lights are constructed with high-quality materials, making them robust and long-lasting. Their design ensures they can withstand the inevitable bumps and knocks on set.

Why the ‘Arri Killer’ Label?

“Arri Killer” does not merely represent competition against the brand Arri. It symbolizes a changing trend in the filmmaking industry, where newer brands and models are challenging the status quo, offering similar or even better features at competitive prices.

Zolar Vega’s 60C and 80C have carved out a niche by providing high-quality output comparable to Arri’s offerings. Moreover, the flexibility and versatility they bring to the table and their affordability make them an attractive option for filmmakers across the spectrum, from indie producers to big studio productions.

Conclusion

While it’s essential to acknowledge the monumental legacy and quality that Arri has provided to the filmmaking world, it’s equally important to recognize the rising stars. The Zolar Vega 60C and 80C lights have undoubtedly made their mark and are setting new standards in lighting technology. Whether they are genuinely ‘Arri Killers’ or not is subjective, but there’s no denying their remarkable prowess and the value they add to any production.

Affordable Cinematography: Top Hollywood-Quality Cameras on a Budget

Giants like RED, Sony Venice, Panavision DXL2, and Alexa have ruled the cinematic camera industry for years. But times are changing. With technological advancements, filmmakers now have access to high-quality video cameras that don’t require Hollywood-sized budgets. Let’s dive into a few of these affordable alternatives that are making waves and challenging the status quo.

1. Z CAM E2-F6: A New Kid on the Block

Z CAM distinctive cube design is not the only thing catching the eye. Its stellar cinematic features make it a preferred choice in big-ticket films such as “A Day to Die” and “Mission Impossible 7”.

The Z CAM E2-M4 and Z CAM E2-F6 have been lauded for delivering footage with a unique texture that mirrors the effect of motion picture film. Their prowess in color science is comparable to the best in the business.

Warner Bros De Lane Lea’s Yogi Patel notes, “In ‘Mission Impossible 7’, the Z CAM’s output blended effortlessly with our existing setup. The post-production required a few adjustments, but the results were nothing short of spectacular.”

2. Panasonic S1H: Pushing Mirrorless Frontiers

Panasonic’s S1H has turned heads with its outstanding cinematic attributes and made history by becoming the first mirrorless camera to earn Netflix’s approval. Boasting features reminiscent of the VariCam series, it promises unparalleled quality.

When paired with the Ninja V HDR monitor, the S1H showcases its capability to record breathtaking 6K Apple ProRes RAW files. It sets a new standard, making it a formidable competitor in the mirrorless camera sector.

3. RED Komodo: A Compact Dynamo

RED legacy of transforming digital cinema is well-known. Their RED Komodo 6K, while being an introductory model, packs in the classic RED color science into a tiny, affordable unit.

Acclaimed director Michael Bay raves about the Komodo: “The sensor’s output is awe-inspiring. It’s the high-end compact camera I’ve always dreamt of.”

Specialized training modules are available for those eager to delve deeper into the Komodo’s potential, ensuring an optimized user experience even for novices.

Final Thoughts

The cinematic landscape is evolving, with these new-age cameras offering filmmakers high-end visuals without the hefty price tags. The emergence of these devices is a testament to a future where quality cinema is not just restricted to those with deep pockets. As you venture into your filmmaking journey, remember the choices are plenty, and the sky’s the limit!

Αξιοποιώντας το AI για την Αναγέννηση του Ραδιοφώνου: Τα λέμε στην IBC 2023!

Γεια σας σε όλους τους φίλους, συναδέλφους και συνεργάτες μου από Ελλάδα και Κύπρο!

Είμαι ενθουσιασμένος που ανακοινώνω ότι θα είμαι παρών στην IBC 2023 στο Άμστερνταμ, ένα γεγονός ορόσημο στον κόσμο των ραδιοτηλεοπτικών εκπομπών και των μέσων ενημέρωσης. Εάν σκοπεύετε να παρευρεθείτε ή τυχαίνει να βρίσκεστε κοντά, θα χαρώ να συναντηθούμε.

Πού μπορείτε να με βρείτε;

Θα είμαι στο περίπτερο της Radio.Cloud, σταντ 8.D77.

Γιατί είναι αυτό αξιοσημείωτο; Το Radio.Cloud δεν είναι απλώς μια άλλη πλατφόρμα αυτοματισμού. Στέκεται περήφανα ως η πρώτη και μοναδική πλήρως cloud-based πλατφόρμα αυτοματισμού στον κλάδο μας και διαθέτει την αξιόλογη πιστοποίηση ως συνεργάτης των Υπηρεσιών της Amazon (AWS). Έχοντας λειτουργήσει για μισή δεκαετία, έχουν συγκεντρώσει ένα εντυπωσιακό track record, με σχεδόν 200 θυγατρικές εταιρείες σε Ευρώπη και Βόρεια Αμερική.

Τι προσφέρει το Radio.cloud;

Για όσους ενδιαφέρονται για τις σύγχρονες καινοτομίες στη ραδιοφωνική μετάδοση, το λογισμικό παρέχει μια σύγχρονη διεπαφή βασισμένη σε πρόγραμμα περιήγησης. Βουτήξτε βαθιά σε λειτουργίες όπως η παρακολούθηση φωνής, απολαύστε την ελευθερία της ζωντανής μετάδοσης και αξιοποιήστε τη δύναμη των λειτουργιών AI.

Θυμηθείτε, οι επανασχεδιασμένες δυνατότητες δικτύωσης και τοπικής προσαρμογής το ξεχωρίζουν στην αγορά των πλατφορμών ραδιοφωνικού αυτοματισμού. Είτε εκπροσωπείτε ένα ραδιοτηλεοπτικό φορέα, είτε θέλετε να εξερευνήσετε νέες τεχνολογίες ή απλώς είστε περίεργοι για το μέλλον του ραδιοφώνου – το περίπτερο της Radio.Cloud είναι το κατάλληλο μέρος.

Για όλους τους συνεργάτες μου στην Ελλάδα και την Κύπρο, αυτή είναι μια υπέροχη ευκαιρία για να συνδεθούμε, να συζητήσουμε και να συνεργαστούμε. Ελπίζω να δω πολλούς από εσάς εκεί!

Ευχαριστώ και τα λέμε στο Άμστερνταμ!

Zero Density Unveils the Future of Virtual Graphics at IBC 2023

Zero Density, a world leader in real-time graphics technology, is showcasing the next evolution of virtual graphics at this year’s International Broadcasting Convention (IBC 2023). Attendees visiting Zero Density’s booth will be treated to a firsthand view of the latest updates to its Traxis tracking platform and a chance to explore the innovative Reality5 virtual production platform.

In a remarkable demonstration, Zero Density is set to stage live demos on both a virtual set and an XR stage, simulating a true-to-life multicam TV production. This enriching experience has been meticulously curated with reputed partners, including KST Moschkau, Viaplay Group, Leyard, Optitrack, and Avid.

The demo space includes a three-camera virtual studio, and a dual-camera LED XR stage, ingeniously melding the tangible and the virtual for a mesmerizing audience experience. Attendees will be captivated by cutting-edge virtual production graphics, offering a glimpse into streamlined and effective workflows.

The Zero Density booth promises a gamut of activities for its visitors. There’s never a dull moment with shows unveiled by Zero Density experts every half-hour and engaging sessions by guest speakers from NVIDIA, Epic Games, and loyal Zero Density clientele like Al Masshad and Viaplay Group.

Key Highlights at Zero Density’s Booth:

The Power of Automation and Robotics — Explore the futuristic realm of robotics and integrated solutions with Zero Density’s strategic partner, KST Moschkau.

Multicam Production — Experience the magic of storytelling with the combined prowess of Leyard’s display technology, Viaplay Group’s cutting-edge virtual studio, and Zero Density’s unparalleled graphic quality.

Camera Tracking Reinvented — Presenting Traxis Camera Tracking by Zero Density—experience unsurpassed precision and steadiness in virtual production, harmoniously complemented by the Optitrack motion capture system.

One Hub to Control It All — Zero Density highlights its integration with Avid’s iNews via RealityHub, presenting unified control over virtual production, real-time graphics, and LED wall content.

Happy Hour — Celebrate innovation! Join KST, Leyard, and Zero Density for drinks and engaging conversations at their booth on September 15, 16, and 17 at 5 pm.

Virtual Souvenirs — As a keepsake of their visit, attendees can record their virtual experiences at the booth and receive a video memento directly in their inbox.

Don’t miss out! Visit Zero Density’s booth at stand 7.B01 in Hall 7. For an enriched experience, attendees are encouraged to book a personal meeting.

Get ready to witness a broadcasting marvel that perfectly balances professionalism with a touch of entertainment!

About Zero Density

Zero Density stands at the forefront of real-time virtual studio technologies, serving the broadcast, live events, and esports sectors. As the reigning champion of gaming tech in the broadcasting arena, Zero Density offers disruptive yet user-friendly solutions. Their products are trusted for global events ranging from the World Cup to the Olympics by some of the most esteemed enterprises globally. With its main office in Turkey and an extension in the US, Zero Density boasts a prestigious client roster, including stalwarts like The Weather Channel, RTL, Fox Sports, and Warner Media.

Blackmagic Shines at IBC 2023: A Preview of What to Expect

From 15th to 18th September 2023, all roads lead to Amsterdam, particularly stand 7.C49 at IBC, as industry professionals, tech enthusiasts, and media moguls gather to witness the latest offerings from Blackmagic Design.

Spotlight on DaVinci Resolve 18.5

DaVinci Resolve has long been revered as a powerful tool in post-production circles, and with the unveiling of version 18.5, attendees will be privy to a live demonstration of its newest features and enhancements. The software, known for its color correction, visual effects, motion graphics, and audio post-production features, promises further innovations to aid both budding filmmakers and seasoned professionals.

Blackmagic URSA Broadcast G2: A Closer Look

The Blackmagic URSA Broadcast G2 is set to be another highlight of the exhibition. As the name suggests, this camera is built for broadcasting, combining traditional broadcast controls with the advanced features of digital film. Those in attendance will get an in-depth view of its capabilities and how it stands to revolutionize live broadcasting.

Ultimatte 12 & ATEM Television Studio 4K8: Game Changers

Ultimatte 12, the advanced real-time compositing processor, and ATEM Television Studio 4K8, the live production switcher, will also be under the spotlight. These tools are indispensable for live broadcast professionals, and the opportunity to see them in action promises to be an enlightening experience for many.

Connect, Learn, and Innovate

But it’s not just about product showcases. The Blackmagic Design team will be on hand to engage with visitors. Whether it’s a deep technical query or a casual question about their line-up, the team promises a responsive, informative, and friendly interaction. This offers a unique chance to learn about the products and understand the ethos and vision that drives Blackmagic Design.

Furthermore, IBC will also serve as a melting pot of ideas. With industry professionals converging from various sectors, attendees can engage in enlightening discussions, share insights, and perhaps even forge new partnerships.

A Date with Innovation

IBC 2023, especially stand 7.C49, is poised to be a hotspot for innovation, learning, and networking. Blackmagic Design’s display promises to be one of the crown jewels of the event, a testament to their commitment to pushing boundaries and driving the industry forward. If you’re keen to witness the future of media and live broadcasting, make sure Amsterdam is on your itinerary this September.

“Blackmagic Design’s Role in the Creation of the Documentary ‘Common Ground'”

The Revolution in Digital Filmmaking

In a significant technological leap for the film industry, Blackmagic Design recently announced its pivotal role in producing the full-length documentary “Common Ground.” The documentary was exclusively shot using Blackmagic Design digital film cameras and was further refined using DaVinci Resolve Studio for editing, grading, visual effects (VFX), and audio post-production. The entire process was hosted on Blackmagic Cloud, marking a new chapter in film post-production.

The Legacy of “Kiss the Ground” Continues

“Common Ground” is a sequel to the acclaimed “Kiss the Ground.” Continuing the narrative, it highlights the ancient yet innovative approach of “regenerative agriculture.” This method has demonstrated potential in sustainable farming and climate change mitigation, water conservation, and global food supply stabilization. With filmmakers Josh and Rebecca Tickell at the helm, the documentary was recognized and celebrated at the 2023 Tribeca Film Festival, clinching the Human Nature Award. The film’s voice is strengthened by the narration provided by notable figures like Laura Dern, Jason Momoa, Rosario Dawson, Woody Harrelson, Ian Somerhalder, and Donald Glover.

Choosing Blackmagic Design

During “Kiss the Ground’s” production, the Tickells were introduced to Blackmagic Design cameras. Impressed by its adaptability and resilience, Josh Tickell stated, “We felt like the Blackmagic Design workflow was the answer.” Their toolkit for “Common Ground” incorporated two Blackmagic URSA Mini Pro 12K digital film cameras and two Blackmagic Pocket Cinema Camera 6Ks. These instruments ensured high-quality interviews, effective fieldwork coverage, and even high-speed shots.

Hoping to give the documentary a cinematic touch, Josh emphasized their intent: “We wanted a bright sunny look, big, bold blues, greens, and nice skin tones.” The combination of Pictor zoom and prime lenses with Blackmagic cameras achieved this vision. Moreover, the decision to shoot in Blackmagic RAW with a constant bitrate of 12:1 ensured adaptability in post-production.

Seamless Post-Production Experience

Transitioning to DaVinci Resolve Studio, the Tickells found the process surprisingly smooth. “We pumped more than 300 hours of footage through Resolve using a 10 GB ecosystem, and we found that it was stronger in many ways than our previous NLE,” Josh revealed. Blackmagic Cloud played an instrumental role in streamlining post-production, offering an accessible platform for collaboration among artists.

One of the significant advantages of this system was its flexibility. After premiering at Tribeca, feedback from multiple screenings allowed the team to refine both the edit and the grade for different outputs, including the theatrical and streaming releases. Josh reiterated the advantages of the DaVinci Resolve system, highlighting its efficiency, especially in the world of documentaries.

About Blackmagic Design

Renowned for its world-class video editing products, digital film cameras, and more, Blackmagic Design has reshaped the domains of feature film, post-production, and television broadcast industries. Their innovations, from 6G-SDI to 12G-SDI products, 3D workflows, and the award-winning DaVinci color correction products, have set industry standards. Rooted in expertise, the company was founded by elite post-production editors and engineers. With its global presence, Blackmagic Design continues to inspire and innovate. For more insights, visit www.blackmagicdesign.com.

SMPTE Turns 107

Since its foundation in 1916, the Society of Motion Picture and Television Engineers (SMPTE) has been a driving force behind the scenes of the film and television industry. As SMPTE celebrates its 107th anniversary on 24th July, we look back at the legacy it has left and the future it seeks to shape.

A Foundation Built on Innovation

SMPTE’s inception can be traced back to a small meeting in April 1916 at New York City’s Astor Hotel, which signaled the birth of an organization destined to revolutionize the film and television world. A mere three months later, the Society of Motion Picture Engineers (SMPE) held its first official gathering, cementing its role as a collaborative space for industry leaders1. The rest, as they say, is history.

In its early days, SMPTE pioneered in setting foundational standards for the industry. By July 1917, it had adopted specifications for 35-mm film and standardized a frame rate of 16 frames per second1. This might sound rudimentary to us now, but these groundbreaking developments facilitated consistency across the industry.

Transformative Achievements

Throughout its existence, SMPTE has been instrumental in introducing essential standards we now take for granted. From the iconic Color Bar, which many might recognize from vintage television sets to the establishment of Timecodes that synchronize video frames, and the ST 2110 for professional media over managed IP networks, SMPTE’s innovations have been nothing short of transformative2.

Its influence hasn’t just been limited to behind-the-camera technology. SMPTE also delved into visual effects, with industry legends like James Cameron and Douglas Trumbull being recognized by the organization for their work in advancing visual effects, motion capture, and stereoscopic 3D photography1.

A Legacy of Collaboration

But beyond the technologies and standards, SMPTE’s legacy lies in its spirit of collaboration and community. As a global professional association, it brings together engineers, technologists, and executives from the media and entertainment industry1. It’s more than just a standards organization; it’s a platform where professionals converge, share insights, and work towards the collective advancement of the industry.

Celebrating the Milestone

SMPTE has rolled out a celebratory discount for registrations at the highly anticipated 2023 Media Technology Summit to commemorate this special occasion. For those keen on attending, using the code “HappyBirthday” will shave $50 off the registration fee2. Considering SMPTE’s history of presenting groundbreaking content at its summits, this year’s event promises to be an unmissable occasion for industry enthusiasts.

To the Future and Beyond

As SMPTE rings its 107th year, its commitment to driving innovation remains undeterred. As technology evolves rapidly, we can be sure that SMPTE will be at the forefront, setting the standards for the next century and beyond.

So, here’s to SMPTE, a beacon of innovation and collaboration for 107 years and counting. Happy Birthday, SMPTE