Thanos Galis
At this year’s IBC2023, we had the exciting opportunity to visit DZO’s stand and witness firsthand their latest innovation in cinema lenses. DZO demonstrates its commitment to pushing the boundaries of anamorphic filmmaking by showcasing their brand-new Pavo Primes. Here’s a comprehensive dive into what we saw and why it matters for filmmakers.
DZO’s Pavo Primes – A Deeper Look
At first glance, what catches the eye is the robust design and clear intention behind the Pavo Primes. These 2x anamorphic cinema lenses, while not breaking new ground in terms of features, promise reliability – an invaluable trait in professional film production.
The set is comprehensive: 28mm, 32mm, 40mm, 55mm, and 75mm available immediately, with a 100mm launching later in the year. The consistency in the build and design across these lenses is evident, emphasizing ease of use on set and consistent results.
Striking the Balance: Accessibility and Reliability
DZO’s intention with the Pavo Primes is to democratize anamorphic filmmaking. By sidestepping the race for groundbreaking features, DZO has produced lenses that filmmakers can rely on, ensuring no time is wasted on set due to technical glitches. The integrated back-focus adjustment is a practical feature, simplifying the often tedious process of achieving perfect infinity focus. However, this feature must be utilized by those with experience, ensuring optimal results.
Build & Durability
Given the skepticism that occasionally surrounds newer entrants in the lens market, especially from Southeast Asia, DZO’s track record stands them in good stead. Their previous products have proven robust and reliable, and there’s no reason to believe the Pavo Primes will be any different. In contrast to DIY anamorphic setups, which might offer creativity but risk fragility, the Pavo Primes promises to withstand the high-paced, demanding environment of professional film sets.
A Nod to Aesthetics and Character
In today’s filmmaking landscape, it’s not enough for lenses to be technically proficient; they must also deliver on aesthetics. Here, the Pavo Primes shine. They offer that characteristic 2x anamorphic squeeze, producing images that resonate with depth and cinematic charm. The choice of neutral or blue coatings means cinematographers can dictate the flare’s hue, adding another layer of creative control.
Looking Forward
The pricing strategy, with individual lenses priced at $5,499 and bundled options available, reinforces DZO’s commitment to accessibility. This approach ensures that more filmmakers get quality anamorphic lenses without breaking the bank. With shipments starting in October, the film community is abuzz with anticipation.
Conclusion
IBC2023 was a testament to DZO’s commitment to innovation and quality. The Pavo Primes are a testament to this commitment, and their introduction to the market is poised to shift the dynamics of anamorphic filmmaking. As the industry waits with bated breath for the first batch of shipments, early indications suggest that DZO’s latest offering is not just a lens but a tool that can shape the future of cinema.
